Mastering & Post Services

Binary Feedback offer digital audio mastering, vinyl pre-mastering, mixing, restoration, sound design, and dialogue editing services, with engineer Hue Jah Fink / Richy Hughes.
Also approved by Apple for Apple Digital Masters (formerly MFiT.)


To find out more, please contact mastering@binaryfeedback.com

Here’s some client feedback from previous work.

“I’ve never had anyone else master anything for my labels since working with you. I’ve sent stuff back to other mastering engineers on a number of occasions, because most of em usually just try to get every tune to sound as loud as possible with no regard to how it might compare to other tracks on the same release.. and you don’t do that. You view every release as an entity, instead of just a collection of separate songs. You legit care about yer work, both for yerself as well as for the artists that hire you, which I rate highly.”
Coco Bryce – (Myor Massiv / Diamond Life)

“We have worked with Richy for a few years now and their work has been instrumental in establishing our ‘sound’. Every artist we have asked Richy to master for has been impressed. Not only that, Richy is always willing to take feedback and further tweak tracks so that the final product is satisfactory to all parties involved. Also, when we have been unsure about what direction to go in, we have trusted Richy’s judgement and it has always been the right call. In short, Binary Feedback is the GOAT and always our first choice when it comes to mastering!” 
Rory K – (Das Booty)

“Richy is the only mastering engineer I’ve worked with that always gets it right the first version. Never had to send back notes to ask for changes, always knows what sound I am going for. Perfect!”
FFF – (3AM Eternal)

“we all loved what you did with the Senyawa record .. sounds amazing!” 
Gordon Wallace – (The state51 Conspiracy)

“AMAZING! ….. This is mind blowing… I am going to spread the word about your mastering work far and wide. Thanks so much, you have some great talent.”
Emika – (Emika Records, Ninja Tune)

“Binary Feedback have been consistently on point with digital mastering for Yellow Machines and my other projects. Thorough feedback and very open to discussing sonic tweaking options. (..) a great ear for both super heavy electronic tracks for the dance floor but also refined melodic work for other media.”
Jude Greenaway aka ScanOne (Yellow Machines) / Greenaway + Greenaway

 “(Binary Feedback) did sterling work on my House of Black Lanterns remix of Boy Toy for the EE comp. Finally had a chance to play this mastered version at a club at the weekend. (..) definitely saw to what was quite a raw mix.”
Dylan ‘King Cannibal’ / ‘House of Black Lanterns’ (Ninja Tune, Combat, Rag n Bone, Ad Noiseam, Senseless, Houndstooth)

“Yeah this sounds great, props to the mastering engineer.. Good to go”
Marcus Intalex / Trevino – (3024, Soul:R, Metalheadz, Renegade, Hospital, Critical, Dispatch, Shogun, RAM …. & too many more great labels to mention!!!)

“Thanks for all the feedback and notes Richy. I think you’ve done a really good job … tight and balanced.”
Boxcutter – (Planet Mu / Hotflush / Kinnego / Combat)

“sweet, both sound biiiiiiiig!”
Earl Grey – (Plush / Subtle Audio / Rua Sound / Pinecone Moonshine)

“Casual, confident and professional. Richy makes absolutely sure what it is you want for the tracks…. sensitive not only to the subtleties of a track’s elements, but also to the environment a track is meant to be heard; unlike some mastering guys that just force all tracks through the same process. We’re really happy.”
Stormfield – Label Boss and Music Producer – Combat Recordings

“Working together with Richard on mastering tracks is always a great experience. Not only do they respect deadlines, is always on time and delivers great-quality work, they’re also extremely passionate about details and gives always more than 100% – that little extra bit that makes the difference in the end. Furthermore, by involving you into what they’re doing and explaining the steps they’re taking to approach the perfect product you’ll never feel left out and can be sure that they’re going to work on it until you’re happy with the final result”
Fabian Faupel – Songwriter / Producer / Arranger (Saint Rock)


“Sounds great. 100% approved…. I’m liking how pleasantly listenable and clear this is…. A job well done, and thanks for the detailed feedback :)”

Aaron Spectre / Drumcorps – (Ad Noiseam, Rag & Bone, Peace Off)

“Hue Jah Fink has seemingly achieved the impossible and digitally cleaned up a very old track of mine that I’d written off. It had bad distortion, clicks, a muddy bottom end and basically sounded terrible. Now it’s clean, bright, loud and clear.”
Jerome Hill (Don’t / Fat Hop / Origin FM)

“Brilliant, reliable, timely, it’s been great working with you with The Felt Dolls project. Love the sound you get, thank you for everything.”
Kirsty Hawkshaw – Vocalist / Songwriter / Musician 

“Richy is a thorough and passionate engineer whose attention to detail is second to none. The end product is always of a very high quality and his sensitivity to the musical style means it also has plenty of character. Their flexible and personable style of communication means working with him is a pleasure.”
Richard Bultitude aka PointB aka Planes aka Frond (Frijsfo, Combat, Lab-Beat, Bonus Round)

“An excellent job …. brought it to life”
Milanese – (Planet Mu, Warp, BPitch Control, Combat Recordings)

“Done an A/B check and the mastering is sounding really sweet. You’ve pulled it all together nicely and given all the tracks a nice presence.”
Warlock – DJ, producer and co-owner of Rag & Bone

“Hue Jah Fink has one of the finest set of ears in this business, tip top work 360.”
Gadi Sassoon aka Memory9 (re: sound design work)

“Richy’s engineering ear is second to none, on numerous occasions identified issues with my mix I would have never picked up on and offered a quick and simple solution to make it just so. Their masters have helped massively getting my music signed and played by the likes of Bukem, Ash-a-tack, Stunna & Phat Playaz.”
Cosmology – (Good Looking, Plush, Fokuz, Phuzion, Soul Deep)

“I’ve had a lot of masters done and TBH I’ve not heard a massive difference…but with this I could tell straight away. Just sounds a lot heavier & punchier than our version…really impressed. “
Dead Sound – (Gynoid Audio / Combat / Acroplane / Perc Trax)

“Thanks so much for a brilliant job on the master. Some very intuitive mixing at your end, you seemed to remove all the unintentional clicks and leave in all the purposeful ones! Without any knowledge of my intentions, this is a great skill.”
Memotone – (Black Acre/Team Acre)

“Excellent mastering!   All frequencies came up even more and not in a harsh or distorted way! Dope work!”
AnD – (Black Sun, Horizontal Ground, Inner Surface)

“Very very happy with my master, bottom end sounds great and lots of detail has been brought out in the mix. Sterling job Binary Feedback.”
Tom Dicicco – (Inner Surface, Stockholm LTD, Project Squared)

“I have worked with Richard for years, first on musical projects and then on films. I have always found their work exacted with the utmost precision and skill and have absolutely no reservations in recommending them as a sound designer or engineer. …  Their abilities and creative ideas put them up amongst the best in the industry.”
Dan Moss – Film Director / Music Producer

“WOW! They sound really AMAZING! Great what you’ve achieved with the sounds, they were just raw, unprocessed signal and they have been placed in a really nice way and details have been brought out.  I think your versions have taken them to a really nice place sonically.”
Dave Stitch – Music Producer (BadSekta.com,  Headfuk, Frogs, Bernard’s Haircut)